Calling All Dawns is a song-cycle in three movements: day, night and dawn. Each movement corresponds to a different phase of life--life, death, and rebirth. There are songs of joy, mystery, and hardship, reflecting the complexity of our mortality. There are songs of the deepest, darkest sorrow to accompany us through death. And finally, there are songs of triumph and exultation that bring us roaring back to life, beginning the cycle anew.

The twelve songs are sung in twelve languages, including Swahili, Mandarin, Hebrew, Irish, Farsi, and many more. The lyrics themselves come from a variety of sources, both sacred and secular: Japanese haiku, Maori proverbs, the Torah, the Bhagavad Gita, and many more. Each song flows seamlessly into the next, and the album ends on the same chord that it opens with--thereby representing the fluid, cyclical nature of the universe. It carries a strong message of unity: that regardless of race, culture and religious belief, we are all connected through our common human experience.

Stereo Alchemy is Christopher Tin's electronic collaboration with producer Kametron. Their debut album is God of Love--a collection of 10 songs based on Renaissance and Romantic era poetry, by writers such as Christina Rossetti, John Donne, and Lord Byron. They describe their signature sound as 'decadent electronica'--a blend of trip hop, post punk, and synth pop.

The album features guest vocals by singers Melissa R. Kaplan (of Universal Hall Pass and Splashdown), Mozez (of Zero 7), and Lia Rose (of Built for the Sea). The album was mixed by three-time Grammy-winning engineer Darrell Thorp (who mixes for Radiohead, Beck, and Paul McCartney) and mastered by Tom Baker (Nine Inch Nails, Marilyn Manson).